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Gadamer, Hans-Georg
Symposium on Heidegger and Nazism : "Back from Syracuse?"
Gaines, Jane
Feminist Heterosexuality and Its Politically Incorrect Pleasures
Galison, Peter

Aufbau/Bauhaus: Logical Positivism and Architectural Modernism
The Ontology of the Enemy: Norbert Wiener and the Cybernetic Vision Einstein's Clocks: The Place of Time
Specific Theory
Removing Knowledge

Gallagher, Catherine

A History of the Precedent: Rhetorics of Legitimation in Women's Writings
Gallop, Jane
Reading the Mother Tongue: Psychoanalytic Feminist Criticism
Critical Response : Writing and Sexual Difference: The Difference Within
Resisting Reasonableness
Garber, Marjorie
"   " (Quotation Marks)
Gardiner, Judith Kegan
On Female Identity and Writing by Women
Gardner, Howard and Ellen Winner
The Development of Metaphoric Competence: Implications for Humanistic Disciplines
Gardner, John
Artists on Art : Death by Art; or "Some Men Kill You with a Six-Gun, Some Men with a Pen"
Gates, Henry Louis, Jr.
Critical Fanonism
Editor's Introduction: Writing "Race" and the Difference It Makes
The "Blackness of Blackness": A Critique of the Sign and the Signifying Monkey
Critical Response : Talkin' That Talk
Harlem on Our Minds
Gelley, Ora
A Response to Dominick LaCapra's "Lanzmann's Shoah"
Genette, Gérard
The Gender and Genre of Reverie
Structure and Functions of the Title in Literature
Geuss, Raymond
Critical Response : A Response to Paul de Man
Geyer, Michael
Multiculturalism and the Politics of General Education
Gibbons, Reginald
Artists on Art : Poetic Form and the Translator
Political Poetry and the Example of Ernesto Cardenal
Gilbert, Anthony
Critical Response : Musical Space: A Composer's View
Gilbert, Sandra M.
Costumes of the Mind: Transvestism as Metaphor in Modern Literature
Life's Empty Pack: Notes toward a Literary Daughteronomy Widow
Gilbert, Sandra M. and Susan Gubar
Critical Respnse : The Man on the Dump versus the United Dames of America; or, What Does Frank Lentricchia Want?
Masterpiece Theatre: An Academic Melodrama
Gilbert-Rolfe, Jeremy
Blankness as a Signifier Neitzschean Critique and the Hegelian Commodity, or The French Have Landed
Gillman, Susan
"Dementia Americana": Mark Twain, "Wapping Alice," and the Harry K. Thaw Trial
Gilman, Ernest B.
Word and Image in Quarles's Emblemes
Gilman, Sander L.
Black Bodies, White Bodies: Toward an Iconography of Female Sexuality in Late Nineteenth-Century Art, Medicine, and Literature
The Struggle of Psychiatry with Psychoanalysis: Who Won? Is Life Beautiful? Can the Shoah Be Funny? Some Thoughts on Recent and Older Films
Collaboration, the Economy, and the Future of the Humanities
Ginzburg, Carlo
Family Resemblances and Family Trees: Two Cognitive Metaphors
Checking the Evidence: The Judge and the Historian
Killing a Chinese Mandarin: The Moral Implications of Distance
Microhistory: Two or Three Things That I Know about It
Latitude, Slaves, and the Bible: An Experiment in Microhistory
Glass, Loren
Audience: A Reponse to Paul Bove&grave
Gombrich, E. H.
The Museum: Past, Present and Future
Critical Response : Notes and Exchanges
Representation and Misrepresentation
Response to James Elkins
Standards of Truth: The Arrested Image and the Moving Eye
"They Were All Human BeingsÑSo Much Is Plain": Reflections on Cultural Relativism in the Humanities
Goodman, Nelson
How Buildings Mean
Critical Response : Metaphor as Moonlighting
Routes of Reference
The Status of Style
Critical Response : The Telling and the Told
Twisted Tales; or, Story, Study, and Symphony
Goodman, Nelson and Catherine Z. Elgin
Interpretation and Identity: Can the Work Survive the World?
Goodrich, Peter
Distrust Quotations in Latin
Goodwin, James
Eisenstein, Ecstacy, Joyce, and Hebraism
Gordon, Avery and Christopher Newfield
Critical Response : White Philosophy
Gordon, Rae Beth
From Charcot to Charlot: Unconscious Imitation and Spectatorship in French Cabaret and Early Cinema
Gossett, Philip
Verdi, Ghislanzoni, and Aida: The Uses of Convention
Graff, Gerald
Critical Response : New Criticism Once More
Graziani, Ron
Robert Smithson's Picturable Situation: Blasted Landscapes from the 1960s
Greenblatt, Stephen
Loudon and London
Marlowe, Marx, and Anti-Semitism
What is the History of Literature?
Griffin, Robert J.
An Exchange on Edward Said and Difference: Ideology and Misrepresentation: A Response to Edward Said
Grimes, Margaret W.
Notes and Exchanges : Response to Garry Wills
Griswold, Charles L.
The Vietnam Veterans Memorial and the Washington Mall: Philosophical Thoughts on Political Iconography
Griswold, Wendy, Priscilla Parkhurst Ferguson and Philippe Desan
Editor's Introduction: Mirrors, Frames, and Demons: Reflections on the Sociology of Literature
Gubar, Susan
"The Blank Page" and the Issues of Female Creativity
Representing Pornography: Feminism, Criticism, and Depictions of Female Violation What Ails Feminist Criticism?
Critical Response : Notations in Medias Res
Gubar, Susan and Sandra Gilbert
Critical Response : The Man on the Dump versus the United Dames of America; or, What Does Frank Lentricchia Want?
Masterpiece Theatre: An Academic Melodrama
Guha, Ranajit
Not at Home in Empire
The Turn
Guillory, John
The Ideology of Canon-Formation: T. S. Eliot and Cleanth Brooks The Sokal Affair and the History of Criticism
Critical Response : The Name of Science, the Name of Politics
The Memo and Modernity
Gullón, Ricardo
On Space in the Novel