Excerpt from "Reductionism and Its Discontents" by Frederick Crews:

The present disarray of psychoanalytic criticism is no doubt a cause for satisfaction among people who never cared for "deep" interpretation and who now feel confirmed in their resolution to allow literature to speak for itself. The only way to do that, however, is to remain silent - a sacrifice beyond the saintliest critic's power. To be a critic is precisely to take a stance different from the author's and to pursue a thesis of one's own. Among the arguments it is possible to make, reductive ones are without a doubt the trickiest, promising Faustian knowledge but often misrepresenting the object of inquiry and deluding the critic into thinking he has cracked the author's code. To forswear all reductions, however, is not the answer: that is the path of phobia. A critic can avoid reductionism, yet still give his intellect free rein, only by keeping his skepticism in working order. If psychoanalysis, originally the most distrustful of psychologies, has by its worldy success and conceptual elaboration become a positive impediment to skepticism, we need be no more surprised than Freud himself would have been at such all-too-human backsliding. A critic's sense of limits, like Freud's own, must come not from the fixed verities of a doctrine but from his awe at how little he can explain. And that awe in turn must derive from his openness to literature - from his sense that the reader in him, happily, will never be fully satisfied by what the critic in him has to say.

Frederick Crews has written books on James, Forster, Hawthorne, and Christopher Robin. He is professor of English at the University of California at Berkeley. The present essay is a chapter from a new book, Out of My System: Psychoanalysis, Ideology, and Critical Method (Oxford University Press, Fall 1975).

© 1975 by The University of Chicago. All excerpts appear in Critical Inquiry, Volume 1, Number 3 (March 1975). This text may be used and shared in accordance with the fair-use provisions of US copyright law, and it may be archived and redistributed in electronic form, provided that this entire notice is carried and that the University of Chicago Press is notified and no fee is charged for access. Archiving, redistribution, or reduplication of this text in other terms, in any medium, requires both the consent of the authors and the University of Chicago Press.

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